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But back to fall 2021, which is called—as is the film that it features in—Resurrection. How’s that for a title rich in symbolism? Resurrection is a dark fable populated with knights, priests, the hoi polloi of a fantasy royal court, and one very Joan of Arc–like heroine (played by French rapper Mona Guba) in all sorts of finery. Finery, incidentally, which is the perfect encapsulation of the more dressed-up approach that menswear seems to be steadily heading in (and which Viguier has proved to be a pretty adept advocate of for several seasons now). For Viguier that means a new idea of a suit, with long lean jackets in jewel-toned velvet or midbrown English gabardine, worn with narrow trousers. By contrast, there are other coats whose ballooning cocoon shapes have a whiff of Cristóbal B about them. His ecclesiastical, clerical tailoring and dog-collar tunic-y tops, meanwhile, come printed with a clash of religious imagery and arcane tarot illustrations.
Sometimes, Viguier will bring a sharp sense of today, which keeps everything grounded in reality. Take, for instance, the way he layers up those print pieces under knit pieces he has created in a punkish, DIY way out of deadstock from his own studio and found vintage—or, as he puts it, knitwear “on its way to the bin.” While Viguier is in the thrall of all of that is Umberto Eco–esque, he also embraces the need to contemporize (and democratize) the metaphysical romanticism. “I want to make myself really comfortable with the art of tailoring being juxtaposed with something really raw,” Viguier says. “To create a sense of kinship with everything—and everyone.”And that’s where Resurrection comes in. Yes, he points out, the word has religious connotations. But the interpretation he’s taking is the sense of optimistically facing the future, no matter how bad things have been. Like many designers who’ve entered the industry in the last few years, Viguier is finding ways to express his wildest and deepest creative impulses with a meaningful commitment to taking responsibility as a designer—in his case, the way he has quietly and un-showily moved upcycling to take center stage at his atelier. “Creatively, all of that traveling, moving internationally [we used to do]…that’s not a good asset,” he says. “What I am doing now…it’s more than local—it’s using what’s in the four walls of my studio. We are all going to have to deal with where we are in a real way very soon. That’s resurrection.”
If you are physically present at a fashion show and watching it with full attention, the view that unfolds is entirely different to that presented in a fashion film. Although you are placed in one position, your eyes are free to roam; taking in full looks, hopping across models in the foreground to focus on something apparently more engaging on models in the background, turning to see the backs of looks, lingering on details in shoes, bags, or hair, glancing at fellow audience-members nudging each other or reading office emails across the row, noting production staff squatting out of sight lines whispering urgently into headsets… Your eyes travel back and forth to create a jagged and episodic narrative of perception that is yours to control. For this Hermès menswear show, Véronique Nichanian had at first hoped to restore that agency by reuniting with a physically present audience. When that proved impossible, she reunited for a second season with the director Cyril Teste to produce a digital show that was the closest thing to attending a real one that I’ve seen so far.
Suitable for Women/Men/Girl/Boy, Fashion 3D digital print drawstring hoodies, long sleeve with big pocket front. It’s a good gift for birthday/Christmas and so on, The real color of the item may be slightly different from the pictures shown on website caused by many factors such as brightness of your monitor and light brightness, The print on the item might be slightly different from pictures for different batch productions, There may be 1-2 cm deviation in different sizes, locations, and stretch of fabrics. Size chart is for reference only, there may be a little difference with what you get.
- Material Type: 35% Cotton – 65% Polyester
- Soft material feels great on your skin and very light
- Features pronounced sleeve cuffs, prominent waistband hem and kangaroo pocket fringes
- Taped neck and shoulders for comfort and style
- Print: Dye-sublimation printing, colors won’t fade or peel
- Wash Care: Recommendation Wash it by hand in below 30-degree water, hang to dry in shade, prohibit bleaching, Low Iron if Necessary
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