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The 90-some looks that walked the Pretty good at bad decisions shirt Metropol runway were less of a lesson in Sicily’s patchwork past than they were a primer in Dolce & Gabbana’s own history, of course. The hourglass dresses and sharply-cut jackets pieced together from squares of brocade, chiffon, georgette, and cotton, among other materials, have long numbered among the duo’s can’t-fail silhouettes. No one looking at this collection would mistake the shirred minidress in a mashup of polka dots and florals or the bustiers and bra tops in checkerboard black-and-white for anybody other than D&G. Their command of their signatures is key to their success
In that video recording, Dolce and Gabbana remembered a 1993 show in which they used similar patchworking techniques, only for different ends. That long-ago collection was inspired by the bohemian 1970s, a popular reference in the Pretty good at bad decisions shirt early ’90s. No hippie flashback, this outing is attuned to the present day. There’s no way around how hard this COVID-19 year has been for fashion brands—from creative leads and CEOs on down to pattern makers and seamstresses. Like their crochet collection of last February—which looks more and more prescient in the rearview mirror—this one puts the emphasis on fatta a mano, on Italian craftsmanship.