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As a historical parallel, Biesenbach references mail art, a tradition involving postcards or packages distributed by artists through the post that was pioneered by American artist Ray Johnson in the 1940s but brought to international attention by the DIY spirit of international Fluxus artists two decades later. “It’s accessible and affordable, but it’s also incredibly protective and useful,” Biesenbach adds. “I think in the best case, art always makes you pause and look differently at the world, and that’s what these masks do, just in an everyday context.”
Available from the MOCA store, all of the masks are manufactured in Los Angeles and priced at $28. “Each artist saw [making masks] as a very serious opportunity to bring art into daily life, and to make it caring and protective, which is what I think the masks should be,” says museum director Klaus Biesenbach of the project. “Of course, it has to be a design that fits into the shape of the mask, but each artist found an interesting way for form to follow function. They’re all very thoughtful.” Virgil Abloh, “Still Speaks Loudly” Pipilotti Rist, “Smart Yuji” The idea came about after Biesenbach embarked upon a series of interviews with artists for MOCA’s social channels, as a replacement for the regular studio visits that serve as the foundation of his curatorial philosophy. “I remember being on the phone to Hank Willis Thomas, and at one point I said, ‘I can’t really hear you,’ and it was because he was wearing a mask, of course,” Biesenbach recalls. “I also reposted an image of a mask from the MOCA Instagram account, and one of our trustees, Karyn Kohl, texted me saying, ‘We should do this and I’ll support it.’ So it partly came from the artists, and partly from Karyn.”
Yet despite these sobering statistics, the creative community’s impressive efforts to rally together and provide financial support to those suffering most greatly as a result of the crisis pay testament to its resilience and resourcefulness, from photographic print sales to virtual seminars. The latest effort comes courtesy of the Museum of Contemporary Art in downtown Los Angeles. With the launch of its MOCA Masks project today, the museum is aiming to raise urgent funds while also providing a means of brightening up the everyday practicalities of living under lockdown. The impressive lineup of participating artists includes the likes of Virgil Abloh, Yoko Ono, and Pipilotti Rist, with the majority of designs created specifically for the project. Contributions range from the humorous—Catherine Opie’s signature gender subversion here represented by a mustachioed mouth—to the more literal, such as Barbara Kruger’s design, which reads simply: “Better safe than sorry.”
Suitable for Women/Men/Girl/Boy, Fashion 3D digital print drawstring hoodies, long sleeve with big pocket front. It’s a good gift for birthday/Christmas and so on, The real color of the item may be slightly different from the pictures shown on website caused by many factors such as brightness of your monitor and light brightness, The print on the item might be slightly different from pictures for different batch productions, There may be 1-2 cm deviation in different sizes, locations, and stretch of fabrics. Size chart is for reference only, there may be a little difference with what you get.
- Material Type: 35% Cotton – 65% Polyester
- Soft material feels great on your skin and very light
- Features pronounced sleeve cuffs, prominent waistband hem and kangaroo pocket fringes
- Taped neck and shoulders for comfort and style
- Print: Dye-sublimation printing, colors won’t fade or peel
- Wash Care: Recommendation Wash it by hand in below 30-degree water, hang to dry in shade, prohibit bleaching, Low Iron if Necessary
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